
My MUBI: 700+ films rated over the course of 15 years
August 21, 2023 7:03 am Leave your thoughtsMUBI is a films streamer/social network I joined in 2008 because of an Olivier Assayas interview. Here is a copy of my activity on the site, complete with subjective ratings and the occasional silly comment.
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Oppenheimer | 2023 | Christopher Nolan | United States | 1 | The cinematic equivalent of nuclear fallout. Still better than the real thing, I guess. | ![]() |
Guardians of the Galaxy Vol. 3 | 2023 | James Gunn | United States | 5 | ![]() | |
Mad Max Beyond Thunderdome | 1985 | George Miller, George Ogilvie | United States | 3 | It’s mad, all right, and way too many other things. Too bad its wild ambitions don’t quite mesh as a whole. | ![]() |
Mission: Impossible – Dead Reckoning Part One | 2023 | Christopher McQuarrie | United States | 4 | Superior old school analog action/thriller extravaganza. Dead Reckoning wipes the floor with poor Indy 5. The floor of a train car, hanging from a ledge 50m up in the air, and on fire. | ![]() |
Fast X | 2023 | Louis Leterrier | United States | 4 | Leterrier knocked this one out of the park. Colourful ridiculous non stop fun. | ![]() |
The Year of Living Dangerously | 1982 | Peter Weir | Australia | 2 | A fascinating, half-successful minefield of ideas. Proceed with caution. | ![]() |
John Wick: Chapter 4 | 2023 | Chad Stahelski | United States | 5 | Yeah, this is unbelievable. Insanely consistent world building with incredibly exciting action set pieces. Beautiful compositions, perfect timing, crystal clear action and an all-time great one shot sequence. Ukiyo-e repainted by blood. Everything clicks, including flirting with cheesy Hillywoodisms, while wisely avoiding any trendy nonsense. A literally Sysiphean effort which cuts the crap and sticks to its guns. | ![]() |
Five Easy Pieces | 1970 | Bob Rafelson | United States | 3 | This uber hater’s self destructive spiral might or might not be linked to family and modern society at large. | ![]() |
Avatar: The Way of Water | 2022 | James Cameron | United States | 3 | A talented filmmaker who started out as a painter, is now a supervisor of a Disney theme park, where imaginary song-composing whales are the real artists. Check out John Boorman’s The Emerald Forest instead. | ![]() |
The New World: The Extended Cut | 2006 | Terrence Malick | United States | 5 | Peak Malick | ![]() |
Storks | 2016 | Nicholas Stoller, Doug Sweetland | United States | 4 | Highly effective baby formula | ![]() |
Ambulance | 2022 | Michael Bay | United States | 4 | Dr Bay is obsessed by keeping your pulse up in a Tony Scott meets GTA crazy ride. Incredibly real-feeling LA streets with a touch of working class Unstoppable vibe. Good apology for Six Underground, but falls short of Pain & Gain by strongly insisting on flipping cars. | ![]() |
Spider-Man: No Way Home | 2021 | Jon Watts | United States | 2 | Remix + memes + trailer | ![]() |
Gemini Man | 2019 | Ang Lee | United States | 4 | I am so over Smith’s daddy obsession, but this was killer entertainment and a sincere love letter to the genre. Top notch spectacle, as breathtaking as the same year’s Alita: Battle Angel, where every dollar is on the screen. | ![]() |
Cloud Atlas | 2012 | Tom Tykwer & 2 more | Germany | 3 | Equally fascinating and embarrassing, comic book spirituality disguised as a historical epic with terrible makeup. | ![]() |
Cry Macho | 2021 | Clint Eastwood | United States | 2 | Should’ve been something like an abstract reverie. Currently it’s lost between too much genre, plotting and miscasting. | ![]() |
The Protege | 2021 | Martin Campbell | United States | 2 | Leon v183 has better staged and lit indoor talk scenes than the outdoor action in painfully fake-looking Vietnam. | ![]() |
Escape from Alcatraz | 1979 | Don Siegel | United States | 3 | Very entertaining and engaging, but doesn’t seem to hold any deep ideas. | ![]() |
6 Underground | 2019 | Michael Bay | United States | 1 | A big loud pile of Nothing. | ![]() |
Ant-Man and the Wasp | 2018 | Peyton Reed | United States | 3 | The titular relationship is nowhere to be seen and the super hot wasp(s) swept under the CGI avatars. | ![]() |
Doctor Sleep | 2019 | Mike Flanagan | United States | 4 | ![]() | |
The 15:17 to Paris | 2018 | Clint Eastwood | United States | 3 | Fascinating experiment. | ![]() |
Soul | 2020 | Pete Docter, Kemp Powers | United States | 3 | Poor man’s Inside Out. Dazzling but numb. | ![]() |
Tenet | 2020 | Christopher Nolan | United Kingdom | 4 | Temporal solipsism is when someone believes everything they encounter is triggered by their timeless ego. A feeling coming from people’s secret desire to control their own fate. Selfish laissez-faire. | ![]() |
Aladdin | 2019 | Guy Ritchie | United States | 3 | ![]() | |
Wasp Network | 2019 | Olivier Assayas | France | 1 | An embarrassing misfire by the great Assayas, who actually brought me to this site originally, to read his interview ca 2008. | ![]() |
American Dharma | 2018 | Errol Morris | United States | 4 | Confused? Outraged? Desperate? Media painting the world as a nightmare you can’t wake up from? Buckle up, it’s going to get much worse, according to Errol Morris and Steve Bannon. | ![]() |
The Traitor | 2019 | Marco Bellocchio | Italy | 5 | ![]() | |
Keep Cool | 1997 | Zhang Yimou | Hong Kong | 4 | ![]() | |
Fast & Furious Presents: Hobbs and Shaw | 2019 | David Leitch | United States | 3 | Nicely framed and edited, if a little juvenile, action extravaganza. | ![]() |
The Kid Who Would Be King | 2019 | Joe Cornish | United Kingdom | 4 | ![]() | |
Joker | 2019 | Todd Phillips | United States | 2 | Wow, the less than subtle sequel to Mike Leigh’s Happy-Go-Lucky really missed the point. | ![]() |
Once Upon a Time… in Hollywood | 2019 | Quentin Tarantino | United States | 4 | … Hollywood uses violence as a wake up call and a return to reality for a society lost in escapist culture and politics. | ![]() |
Mustang | 2015 | Deniz Gamze Ergüven | France | 2 | Trite scene, cliché scene, trite scene, cliché scene. Yol this ain’t. | ![]() |
Domino | 2019 | Brian De Palma | Denmark | 3 | Detractors and the fans are both right about Domino. It’s in turns weird (dialogue delivery), wild (the climax), bad (scenes seem to go nowhere) and wonderful (De Palma doing guerrilla filmmaking 50 years later). | ![]() |
Love Education | 2017 | Sylvia Chang | China | 3 | ![]() | |
Identity Thief | 2013 | Seth Gordon | United States | 3 | Better than expected. | ![]() |
Gods of Egypt | 2016 | Alex Proyas | United States | 3 | ![]() | |
Burning | 2018 | Lee Chang-dong | South Korea | 2 | First disappointment from the master. The emptiness between modern and rural country could have been a short film. There is beauty in things unsaid but there is a limit too. Come Rain, Come Shine was a bolder exercise in minimalism. | ![]() |
Cirkus Columbia | 2010 | Danis Tanović | Bosnia and Herzegovina | 4 | ![]() | |
Interstellar | 2014 | Christopher Nolan | United States | 3 | ![]() | |
The Mothman Prophecies | 2002 | Mark Pellington | United States | 3 | ![]() | |
Mission: Impossible – Fallout | 2018 | Christopher McQuarrie | United States | 4 | Pure Sisyphusanity | ![]() |
Phantom Thread | 2017 | Paul Thomas Anderson | United States | 4 | Bless your soul, Douglas Sirk. | ![]() |
Avengers: Infinity War | 2018 | Anthony Russo, Joe Russo | United States | 3 | Shocking – a decent Alan Silvestri score! | ![]() |
R.I.P.D. | 2013 | Robert Schwentke | United States | 3 | Interesting and fun, doesn’t deserve the hate. | ![]() |
Three Billboards Outside Ebbing, Missouri | 2017 | Martin McDonagh | United States | 3 | Mixed-up mix of genres | ![]() |
The Shape of Water | 2017 | Guillermo del Toro | United States | 2 | Shallow subservient PC fable goes with the flow and flushes all subtlety and imagination down the drain. | ![]() |
Thor: Ragnarok | 2017 | Taika Waititi | United States | 3 | Disney’s new Tron is amazing, but it needed Primal Scream’s Miss Lucifer instead of the second Immigrant Song. | ![]() |
Meet Joe Black | 1998 | Martin Brest | United States | 3 | They sure did milk that premise. | ![]() |
Logan Lucky | 2017 | Steven Soderbergh | United States | 4 | I want Steve’s wide-angle lens. It does magic. | ![]() |
Spielberg | 2017 | Susan Lacy | United States | 3 | OK, but doesn’t dive into what makes him a great artist, just like the recent Altman doc. | ![]() |
Red Istanbul | 2017 | Ferzan Özpetek | Italy | 3 | Enigmatic mix of Antonioni’s L’Avventura and Assayas’ Summer Hours. | ![]() |
The Last Witch Hunter | 2015 | Breck Eisner | United States | 4 | Surprisingly, a lot of fun! 1. Grab a beer, 2. Watch The Last Witch Hunter, 3. Thank me later. | ![]() |
Life | 2017 | Daniel Espinosa | United States | 3 | ![]() | |
Dunkirk | 2017 | Christopher Nolan | United States | 4 | Existential anxiety of being trapped and thrown into chaos, desperately counting on machines and people for survival. Howard Hawks’ men on a boat. | ![]() |
Dust in the Wind | 1986 | Hou Hsiao-hsien | Taiwan | 4 | Deceptive simplicity, tremendous direction and fabulous images, getting down to the essence of life in Taiwan. | ![]() |
Your Name | 2016 | Makoto Shinkai | Japan | 3 | Good, but too busy. I prefer The Garden of Words. | ![]() |
Top Gun | 1986 | Tony Scott | United States | 3 | The danger zone between cinema and music video can occasionally take your breath away. | ![]() |
Personal Shopper | 2016 | Olivier Assayas | France | 3 | The void isn’t concerned about us, but we are anxious about the void, because we are preoccupied with what’s beyond our unsatisfactory world. | ![]() |
Ghost in the Shell | 2017 | Rupert Sanders | United States | 5 | Corporations domesticate free spirit and stick it into a machine, supposedly for our own collective good. Tremendous, brilliant remake. Full review. | ![]() |
Resident Evil: The Final Chapter | 2016 | Paul W.S. Anderson | Germany | 4 | ![]() | |
The Wolverine | 2013 | James Mangold | United States | 3 | ![]() | |
Logan | 2017 | James Mangold | United States | 3 | A visceral Xperience about a salad chef with nothing to lose, anticipating the spin-off about one of the nameless mercenaries who risked everything. | ![]() |
Captain Phillips | 2013 | Paul Greengrass | United States | 3 | ![]() | |
River of Exploding Durians | 2014 | Edmund Yeo | Malaysia | 4 | ![]() | |
Scott Pilgrim vs. the World | 2010 | Edgar Wright | United States | 4 | ![]() | |
Star Wars: Episode V – The Empire Strikes Back | 1980 | Irvin Kershner | United States | 5 | ![]() | |
Miss Peregrine’s Home for Peculiar Children | 2016 | Tim Burton | United Kingdom | 4 | ![]() | |
Sicario | 2015 | Denis Villeneuve | United States | 4 | After transcending the genre with Prisoners, Villeneuve does it again. A boring premise is turned into a chilling masterpiece. What would he do with an alien invasion film? | ![]() |
American Pastoral | 2016 | Ewan McGregor | United States | 3 | It’s OK, but it’s not Waking the Dead. | ![]() |
Salvador | 1986 | Oliver Stone | United States | 4 | ![]() | |
Now You See Me | 2013 | Louis Leterrier | United States | 3 | Not sure if cinema is Charlatanism or Shamanism. | ![]() |
The New World | 2005 | Terrence Malick | United States | 5 | The Malick Pinnacle | ![]() |
Torque | 2004 | Joseph Kahn | United States | 4 | Pop matters | ![]() |
Drag Me to Hell | 2009 | Sam Raimi | United States | 4 | ![]() | |
13 Hours: The Secret Soldiers of Benghazi | 2016 | Michael Bay | United States | 4 | ![]() | |
Beginners | 2010 | Mike Mills | United States | 3 | ![]() | |
Happy-Go-Lucky | 2008 | Mike Leigh | United Kingdom | 4 | ![]() | |
Crossing Over | 2009 | Wayne Kramer | United States | 3 | ![]() | |
The Driver | 1978 | Walter Hill | United States | 4 | “…” | ![]() |
Lion Standing Against The Wind | 2015 | Takashi Miike | Japan | 4 | ![]() | |
Joint Security Area | 2000 | Park Chan-wook | South Korea | 4 | Quintessential Korean military melodrama with superior cinematic craftsmanship. | ![]() |
The Revenant | 2015 | Alejandro González Iñárritu | United States | 2 | Making a half-spiritual film is worse than a spiritless one. Pasting Malick/Tarkovsky images over conventional dramaturgy and storytelling. The Grey is still a daring masterpiece. | ![]() |
Macbeth | 2015 | Justin Kurzel | United Kingdom | 4 | Killer soundtrack | ![]() |
When Marnie Was There | 2014 | Hiromasa Yonebayashi | Japan | 4 | Wait for the twist | ![]() |
Youth | 2015 | Paolo Sorrentino | Italy | 2 | If this cute-at-best film is today’s 8½, I want the 1960s back. | ![]() |
Bridge of Spies | 2015 | Steven Spielberg | United States | 3 | The cold dark road downwards from Munich to this OK talkie. | ![]() |
Face Down | 2015 | Kamen Kalev | Belgium | 3 | The ghetto landscape as a tapestry of misery. | ![]() |
3 Days to Kill | 2014 | McG | United States | 3 | Almost like a Jonathan Demme picture | ![]() |
Terminator: Genisys | 2015 | Alan Taylor | United States | 2 | Now every human and every machine dreams this had been directed by Paul Verhoeven. | ![]() |
The Man from U.N.C.L.E. | 2015 | Guy Ritchie | United Kingdom | 3 | How amusing: the third face of masculinity is… a woman. | ![]() |
The Crossing : Part I | 2014 | John Woo | China | 1 | An artist who influenced an industry 25 years ago, is completely transformed by today’s industry. Toothless, boring and meaningless. The house always wins. | ![]() |
Mad Max: Fury Road | 2015 | George Miller | Australia | 4 | ![]() | |
Black Coal, Thin Ice | 2014 | Diao Yi’nan | China | 5 | ![]() | |
Like Father, Like Son | 2013 | Hirokazu Koreeda | Japan | 4 | Kore-eda’s excellent crowd pleaser is the polar opposite of his mood pieces like Maborosi. | ![]() |
Queen and Country | 2014 | John Boorman | United Kingdom | 3 | Good old-fashioned tale with touching humanism and fairy-tale feel. Not as great as The Tiger’s Tale though. | ![]() |
Fury | 2014 | David Ayer | United Kingdom | 2 | Oh Fury, where were you when I was 11? | ![]() |
Horrible Bosses | 2011 | Seth Gordon | United States | 2 | The destruction of contemporary family starts in the office. | ![]() |
Clouds of Sils Maria | 2014 | Olivier Assayas | France | 2 | Honest title: Nervousness, Confusion and Drunk Women. | ![]() |
Lucy | 2014 | Luc Besson | France | 3 | ![]() | |
The Devil Wears Prada | 2006 | David Frankel | United States | 1 | WTF is this shit? I need to watch some John Carpenter now. | ![]() |
The Unknown Known | 2013 | Errol Morris | United States | 4 | ![]() | |
Sanctum | 2011 | Alister Grierson | United States | 3 | Nice one if a little hollow. | ![]() |
The World’s End | 2013 | Edgar Wright | United Kingdom | 4 | Best almost-great pop-cinema in a long time. The joke obsession and glamorous makeup/lighting weaken its mighty social/humanist punch, but it shines otherwise. A fun trip and more. | ![]() |
Like Someone in Love | 2012 | Abbas Kiarostami | Japan | 4 | Mise-en-scene as a map of personal spaces, their trajectories and intersections. | ![]() |
Into the Blue | 2005 | John Stockwell | United States | 4 | Unapologetic b-movie perfection. | ![]() |
Fast Five | 2011 | Justin Lin | United States | 4 | Momentous action-cinema insanity that brakes for nothing. High fives all around. | ![]() |
16 Blocks | 2006 | Richard Donner | United States | 4 | A breathless crafty police corruption action-drama, worthy of Sidney Lumet. | ![]() |
Source Code | 2011 | Duncan Jones | United States | 5 | A fascinating meditation on Plato’s Republic, Solipsism and military brainwashing. Compelling from start to finish. Full review. | ![]() |
Norwegian Wood | 2010 | Trần Anh Hùng | Japan | 2 | “In the Wood for Love” tries to paint people’s inner world and emotions with outside environment and nature… with variable success. | ![]() |
Certified Copy | 2010 | Abbas Kiarostami | France | 5 | A delightfully incomprehensible, existentially confounding and beautifully staged celebration of connected lives. | ![]() |
Air Doll | 2009 | Hirokazu Koreeda | Japan | 1 | A rare misfire by the great director. Later he managed to balance edginess better with Shoplifters. | ![]() |
Red | 2010 | Robert Schwentke | United States | 4 | ![]() | |
The Men Who Stare at Goats | 2009 | Grant Heslov | United Kingdom | 1 | Very poor. Nothing to see here… | ![]() |
Network | 1976 | Sidney Lumet | United States | 5 | ![]() | |
Anonymous | 2011 | Roland Emmerich | Germany | 3 | ![]() | |
The Last Flight | 2009 | Karim Dridi | France | 4 | ![]() | |
The Island | 2011 | Kamen Kalev | Bulgaria | 4 | Official Facebook: http://www.facebook.com/OstrovatTheMovie | ![]() |
Please Teach Me English | 2003 | Kim Sung-su | South Korea | 4 | ![]() | |
Together | 2002 | Chen Kaige | China | 5 | ![]() | |
Mr. Nobody | 2009 | Jaco van Dormael | Canada | 5 | A beautiful, emotional and intelligent Sci-Fi masterpiece, which matches the greatest genre titles. Please stop complaining that they don’t do them like that anymore and watch this gem. | ![]() |
Crossing Hennessy | 2010 | Ivy Ho | Hong Kong | 2 | Avoid Crossing Hennessy and rather stay in Sha Tin, where the previous and great Ivy Ho film, Claustrophobia, takes place. | ![]() |
The Beautiful Country | 2004 | Hans Petter Moland | United States | 5 | ![]() | |
Das Boot | 1981 | Wolfgang Petersen | West Germany | 5 | ![]() | |
Austin Powers: International Man of Mystery | 1997 | Jay Roach | United States | 5 | ![]() | |
Dark Water | 2002 | Hideo Nakata | Japan | 5 | ![]() | |
The Good Thief | 2002 | Neil Jordan | United Kingdom | 5 | ![]() | |
Gamer | 2009 | Mark Neveldine, Brian Taylor | United States | 5 | Gamer has great skills and is more relevant than reputable films, restoring the glory of B-movies. | ![]() |
The Last Samurai | 2003 | Edward Zwick | United States | 4 | ![]() | |
Glasses | 2007 | Naoko Ogigami | Japan | 5 | ![]() | |
Tron: Legacy | 2010 | Joseph Kosinski | United States | 4 | ![]() | |
Heaven | 2002 | Tom Tykwer | Italy | 5 | ![]() | |
Zhou Yu’s Train | 2002 | Sun Zhou | Hong Kong | 5 | If you love Gong Li, you need to watch this now! It’s wonderful beyond words. Widely available on DVD. | ![]() |
The Bridge on the River Kwai | 1957 | David Lean | United Kingdom | 5 | ![]() | |
Indiana Jones and the Temple of Doom | 1984 | Steven Spielberg | United States | 5 | A drugged father figure turns against his family. Temptation leads to the depths of depravity. A once careless adventurer discovers emphatic responsibility. Whip anyone who tries to convince you this is simple mindless entertainment! | ![]() |
Happy Times | 2000 | Zhang Yimou | China | 5 | When I grow up, I’ll explain how great this is. It’s an incredible and indescribable fusion of cinema, reality and tough love. | ![]() |
Equilibrium | 2002 | Kurt Wimmer | United States | 2 | ![]() | |
Raising Cain | 1992 | Brian De Palma | United States | 5 | ![]() | |
After This Our Exile | 2006 | Patrick Tam | Hong Kong | 5 | wonderful film. please fix the 2 entries for its cinematographer. he’s the same as this one: http://mubi.com/cast_members/14065 | ![]() |
Perhaps Love | 2005 | Peter Ho-Sun Chan | China | 5 | ![]() | |
Pulse | 2001 | Kiyoshi Kurosawa | Japan | 5 | ![]() | |
Carlos | 2010 | Olivier Assayas | France | 5 | ![]() | |
The Shanghai Gesture | 1941 | Josef von Sternberg | United States | 5 | ![]() | |
Carlito’s Way | 1993 | Brian De Palma | United States | 5 | What can I say? It’s Carlito, man, a straight-up guy, like you and me. Unsurpassed poetic/existential/crime drama cranks up the suspense and makes us believe in an impossible deliverance and escape to paradise. During one of the greatest endings in cinema history. | ![]() |
Not One Less | 1999 | Zhang Yimou | China | 5 | Too great to put into words, but it seems pretty unknown so check it out if you have the chance. Emotional Italian neo-realism. | ![]() |
Body Double | 1984 | Brian De Palma | United States | 5 | I dreamt I was explaining to somebody how great Body Double is. Fitting, as It’s all about the subconscious. | ![]() |
CQ | 2001 | Roman Coppola | Luxembourg | 5 | ![]() | |
Alice Doesn’t Live Here Anymore | 1974 | Martin Scorsese | United States | 5 | ![]() | |
Rocky | 1976 | John G. Avildsen | United States | 5 | ![]() | |
Showgirls | 1995 | Paul Verhoeven | United States | 5 | ![]() | |
Dances with Wolves | 1990 | Kevin Costner | United States | 5 | ![]() | |
Lost in Translation | 2003 | Sofia Coppola | United States | 1 | ![]() | |
Rhapsody in August | 1991 | Akira Kurosawa | Japan | 5 | ![]() | |
Eternity and a Day | 1998 | Theodoros Angelopoulos | Greece | 5 | ![]() | |
Terminator 2: Judgment Day | 1991 | James Cameron | United States | 5 | ![]() | |
Big Trouble in Little China | 1986 | John Carpenter | United States | 5 | The ultimate kick-ass action comedy asks why are Americans so arrogant and clueless when they are so new and are stomping on millenia of history/culture they don’t understand. What the hell. | ![]() |
Casino Royale | 2006 | Martin Campbell | United Kingdom | 5 | ![]() | |
Fearless | 2006 | Ronny Yu | Hong Kong | 5 | Flawless. | ![]() |
Frenzy | 1972 | Alfred Hitchcock | United Kingdom | 5 | ![]() | |
The Scent of Green Papaya | 1993 | Trần Anh Hùng | Vietnam | 5 | ![]() | |
Rachel Getting Married | 2008 | Jonathan Demme | United States | 5 | Great contemporary masterpiece by a genius director. | ![]() |
The Good, the Bad, the Weird | 2008 | Kim Jee-woon | South Korea | 5 | What cinema was invented for. One incredible set piece after another make this a tour-de-force action-adventure. A glorious and unforgettable experience. | ![]() |
Witness for the Prosecution | 1957 | Billy Wilder | United States | 5 | ![]() | |
The Trial | 1962 | Orson Welles | France | 5 | ![]() | |
And the Ship Sails On | 1983 | Federico Fellini | Italy | 5 | ![]() | |
The Story of Qiu Ju | 1992 | Zhang Yimou | Hong Kong | 4 | ![]() | |
House of Flying Daggers | 2004 | Zhang Yimou | China | 4 | ![]() | |
Infernal Affairs III | 2003 | Alan Mak, Andrew Lau Wai-keung | China | 5 | ![]() | |
The Banishment | 2007 | Andrey Zvyagintsev | Russia | 5 | ![]() | |
Children of Heaven | 1997 | Majid Majidi | Iran | 5 | ![]() | |
The Iron Giant | 1999 | Brad Bird | United States | 5 | ![]() | |
The Butcher Boy | 1997 | Neil Jordan | United States | 5 | ![]() | |
Palermo Shooting | 2008 | Wim Wenders | Germany | 5 | ![]() | |
The Player | 1992 | Robert Altman | United States | 5 | ![]() | |
The Sheltering Sky | 1990 | Bernardo Bertolucci | United Kingdom | 5 | ![]() | |
3 Women | 1977 | Robert Altman | United States | 5 | ![]() | |
The Hudsucker Proxy | 1994 | Joel Coen | United Kingdom | 5 | ![]() | |
Burn After Reading | 2008 | Joel Coen, Ethan Coen | United States | 5 | ![]() | |
Woman Is the Future of Man | 2004 | Hong Sang-soo | South Korea | 5 | ![]() | |
Edward Scissorhands | 1990 | Tim Burton | United States | 4 | ![]() | |
Only Yesterday | 1991 | Isao Takahata | Japan | 5 | ![]() | |
Millennium Mambo | 2001 | Hou Hsiao-hsien | Taiwan | 5 | ![]() | |
The Passenger | 1975 | Michelangelo Antonioni | Italy | 5 | Modern man looking for salvation, or the meaning of life, in all the wrong places. When identity is broken and there is no connection to _why_ you really are, life is nothing but a long struggle to escape. The soul ultimately breaks through the bars of the body and merges with the outside world. A cosmic existential thriller. | ![]() |
Dressed to Kill | 1980 | Brian De Palma | United States | 5 | the best psycho-thriller of all time shows people hidden in the city, wandering through streets, gender identification, life and death. uncompromising, tour de force cinema from start to finish. | ![]() |
E.T.: The Extra-Terrestrial | 1982 | Steven Spielberg | United States | 5 | ![]() | |
Schindler’s List | 1993 | Steven Spielberg | United States | 5 | ![]() | |
Raiders of the Lost Ark | 1981 | Steven Spielberg | United States | 5 | That’s dedication | ![]() |
Il grido | 1957 | Michelangelo Antonioni | Italy | 5 | ![]() | |
Tokyo Drifter | 1966 | Seijun Suzuki | Japan | 5 | ![]() | |
Peppermint Candy | 1999 | Lee Chang-dong | South Korea | 5 | ![]() | |
Homework | 1989 | Abbas Kiarostami | Iran | 5 | ![]() | |
The Wind Will Carry Us | 1999 | Abbas Kiarostami | Iran | 5 | ![]() | |
Bitter Moon | 1992 | Roman Polanski | United Kingdom | 5 | ![]() | |
Ashes of Time Redux | 2008 | Wong Kar Wai | Hong Kong | 5 | ![]() | |
CJ7 | 2008 | Stephen Chow | Hong Kong | 5 | the ultimate film about dreams. | ![]() |
Broken Embraces | 2009 | Pedro Almodóvar | Spain | 5 | ![]() | |
12 Monkeys | 1995 | Terry Gilliam | United States | 5 | ![]() | |
Cyclo | 1995 | Trần Anh Hùng | Vietnam | 5 | ![]() | |
The Tiger’s Tail | 2006 | John Boorman | Ireland | 5 | This is how the Irish feel the whole Denial/Financial Assimilation/Acceptance. A GREAT film by the legendary John Boorman. | ![]() |
Boarding Gate | 2007 | Olivier Assayas | France | 4 | ![]() | |
Casino | 1995 | Martin Scorsese | United States | 5 | ![]() | |
Crash | 1996 | David Cronenberg | Canada | 5 | ![]() | |
Collateral | 2004 | Michael Mann | United States | 4 | ![]() | |
A.I. Artificial Intelligence | 2001 | Steven Spielberg | United States | 5 | i am… i was. it’s not what we are called – human – only by name or symbols, it’s what we do and feel that defines us. one of the greatest, a timeless philosophical examination/critique of human nature. | ![]() |
Munich | 2005 | Steven Spielberg | United States | 5 | The world is one big dysfunctional family. | ![]() |
After Life | 1998 | Hirokazu Koreeda | Japan | 5 | ![]() | |
Little Dieter Needs to Fly | 1997 | Werner Herzog | United Kingdom | 5 | ![]() | |
Shanghai Express | 1932 | Josef von Sternberg | United States | 5 | ![]() | |
Videodrome | 1983 | David Cronenberg | Canada | 5 | ![]() | |
Tropical Malady | 2004 | Apichatpong Weerasethakul | Thailand | 5 | ![]() | |
Taxi Driver | 1976 | Martin Scorsese | United States | 5 | ![]() | |
Syndromes and a Century | 2006 | Apichatpong Weerasethakul | Thailand | 5 | ![]() | |
Still Life | 2006 | Jia Zhangke | China | 5 | ![]() | |
Sisters | 1972 | Brian De Palma | United States | 5 | ![]() | |
The Shining | 1980 | Stanley Kubrick | United States | 5 | ![]() | |
The Science of Sleep | 2006 | Michel Gondry | France | 5 | ![]() | |
Sanjuro | 1962 | Akira Kurosawa | Japan | 5 | ![]() | |
Rosemary’s Baby | 1968 | Roman Polanski | United States | 5 | ![]() | |
The Return | 2003 | Andrey Zvyagintsev | Russia | 5 | ![]() | |
Rashōmon | 1950 | Akira Kurosawa | Japan | 5 | ![]() | |
Persona | 1966 | Ingmar Bergman | Sweden | 5 | ![]() | |
Once Upon a Time in the West | 1968 | Sergio Leone | Italy | 5 | ![]() | |
La notte | 1961 | Michelangelo Antonioni | Italy | 5 | Two imperfect souls do not make a healthy one. Night and day, satisfaction and distraction change places forever. | ![]() |
Napoleon Dynamite | 2004 | Jared Hess | United States | 5 | ![]() | |
Mulholland Drive | 2001 | David Lynch | United States | 5 | ![]() | |
Mon oncle | 1958 | Jacques Tati | France | 5 | ![]() | |
L’avventura | 1960 | Michelangelo Antonioni | Italy | 5 | ![]() | |
The Last Emperor | 1987 | Bernardo Bertolucci | China | 5 | ![]() | |
Kikujiro | 1999 | Takeshi Kitano | Japan | 5 | ![]() | |
Infernal Affairs | 2002 | Andrew Lau Wai-keung, Alan Mak | Hong Kong | 5 | ![]() | |
In the Mood for Love | 2000 | Wong Kar Wai | Hong Kong | 5 | ![]() | |
Hero | 2002 | Zhang Yimou | China | 5 | ![]() | |
Fireworks | 1997 | Takeshi Kitano | Japan | 5 | ![]() | |
Grave of the Fireflies | 1988 | Isao Takahata | Japan | 5 | ![]() | |
Ghost in the Shell 2: Innocence | 2004 | Mamoru Oshii | Japan | 5 | ![]() | |
Flight of the Red Balloon | 2007 | Hou Hsiao-hsien | France | 5 | ![]() | |
Eyes Wide Shut | 1999 | Stanley Kubrick | United States | 5 | ![]() | |
Double Indemnity | 1944 | Billy Wilder | United States | 5 | ![]() | |
Chungking Express | 1994 | Wong Kar Wai | Hong Kong | 5 | ![]() | |
Café Lumière | 2003 | Hou Hsiao-hsien | Japan | 5 | Internalisation Station, where the characters’ drama and conflicts simmer deep inside and never surface, like most of their society, which continues moving on track no matter what. Best foreigner film in Japan and an antidote to that crime against humanity called Lost in Translation. | ![]() |
Three Colors: Blue | 1993 | Krzysztof Kieślowski | France | 5 | ![]() | |
Blade Runner | 1982 | Ridley Scott | United States | 5 | ![]() | |
Barry Lyndon | 1975 | Stanley Kubrick | United Kingdom | 5 | ![]() | |
The Flash | 2023 | Andy Muschietti | United States | 3 | What’s the point? Occasional pleasing visual wit can’t overcome genre fatigue and fails to recapture lightning in a bottle. | ![]() |
Asteroid City | 2023 | Wes Anderson | United States | 4 | creativity → spirituality ← creation A delightful rediscovery of the beauty, truth and optimism in the world, both real and imagined, which exposes the BS of today’s ultra dark cynical culture | ![]() |
The Big Country | 1958 | William Wyler | United States | 5 | McQ brought me here | ![]() |
Ferris Bueller’s Day Off | 1986 | John Hughes | United States | 2 | I don’t get it | ![]() |
Apollo 13 | 1995 | Ron Howard | United States | 3 | A super production of an emotional buttons pusher that is more interested in pushing physical buttons. Glossing over the drama potential and barely suspenseful. James Horner embarrassing again. | ![]() |
Memoria | 2021 | Apichatpong Weerasethakul | Colombia | 3 | Well… | ![]() |
West Side Story | 2021 | Steven Spielberg | United States | 3 | It’s OK. Distractingly aggressive lighting. Fantastic end credits. | ![]() |
Prey | 2022 | Dan Trachtenberg | United States | 3 | Terry Malick’s Predator is a refreshing and entertaining take on familiar tropes. | ![]() |
The Dark Knight | 2008 | Christopher Nolan | United States | 1 | An inane exploitation of people’s fascination with darkness, ridiculously trying to make Batman grounded, while having no insight into politics or humanity or anything at all. As unfunny as irrelevant. (Nolan got better afterwards, though) | ![]() |
No Time to Die | 2021 | Cary Joji Fukunaga | United Kingdom | 2 | So, so average. Next to zero humour (provides exactly one short chuckle). Drains the fun out of the series. O tempora, o mores! | ![]() |
Wheel of Fortune and Fantasy | 2021 | Ryusuke Hamaguchi | Japan | 4 | ![]() | |
Nobody | 2021 | Ilya Naishuller | United States | 2 | An entertaining showcase of everything wrong with the streaming era: ugly, derivative, smug, cynical, meaningless. | ![]() |
Dr. Brain | 2021 | Kim Jee-woon | South Korea | 4 | Apple: We want a mind-bending Rashomon with epic scope, bonkers concept, stunning presentation, gorgeous actors, lots of thrills and more than a little Satoshi Kon. Kim Jee-woon: Say no more! | ![]() |
Planes, Trains & Automobiles | 1987 | John Hughes | United States | 3 | ![]() | |
The Foreigner | 2017 | Martin Campbell | United Kingdom | 4 | ![]() | |
Old | 2021 | M. Night Shyamalan | United States | 2 | Seems quickly scribbled while on vacation. OK but far from his best. So much potential wasted in editing so fast there is hardly a second left to let the implications sink in. | ![]() |
Army of the Dead | 2021 | Zack Snyder | United States | 4 | Cynicism is a one way road to self destruction. Netflix is cynical. And Zack Snyder knows it. That’s what makes Army of the Dead so scary. | ![]() |
Three Crowns of the Sailor | 1983 | Raúl Ruiz | France | 2 | Couldn’t stomach it past the middle. Constant contradicting confessions, ugly primary colours and the voiceover rarely shuts up. Occasional interesting deep focus compositions. Time Regained it ain’t. | ![]() |
La Cupola | 2016 | Volker Sattel | Germany | 5 | Brilliant documentary about Antonioni’s seaside villa. Architecture and cinema fans should stream it now. Mubi too. | ![]() |
An Officer and a Spy | 2019 | Roman Polanski | France | 4 | ![]() | |
Fireball: Visitors from Darker Worlds | 2020 | Werner Herzog, Clive Oppenheimer | United Kingdom | 3 | The good parts (obsessed characters) are some of the best documentary footage ever filmed, but the ending left me hanging. | ![]() |
Sherlock Holmes | 2009 | Guy Ritchie | United States | 4 | ![]() | |
The Gentlemen | 2020 | Guy Ritchie | United Kingdom | 4 | This entertaining Rashomon-like examination of masculinity exposes and makes fun of its good, bad and ugly aspects, consistent with the criminally underrated The Man from U.N.C.L.E. | ![]() |
Coup 53 | 2019 | Taghi Amirani | United Kingdom | 4 | A most engrossing documentary about one of the key events of the 20th century. Check it out. | ![]() |
The Truth | 2019 | Hirokazu Koreeda | France | 3 | Better than Sils Maria, short of Summer Hours. | ![]() |
Pain and Glory | 2019 | Pedro Almodóvar | Spain | 4 | Best film about an ageing gay junkie artist ever? | ![]() |
Parasite | 2019 | Bong Joon Ho | South Korea | 1 | A super-slick yet superficial production that lacks any trace of humanity and has total contempt for all its characters. Don’t believe the hype and watch Elena and The Quiet Family instead. Or Kiarostami’s Close-Up. Or Zhang Yimou’s Shadow. Or Kore-eda’s Shoplifters… Full review. | ![]() |
Star Wars: The Rise of Skywalker | 2019 | J.J. Abrams | United States | 3 | Can’t hate a film with extreme yachting. A mildly entertaining creative capitulation. | ![]() |
Suzhou River | 2000 | Lou Ye | China | 4 | ![]() | |
Rambo: Last Blood | 2019 | Adrian Grunberg | United States | 3 | This is average, but I want you to know that Kim Jee-woon’s The Last Stand is the best old action hero film by far. Imagine a Rambo by the director of I Saw the Devil…! | ![]() |
Long Shot | 2019 | Jonathan Levine | United States | 3 | Poor cinematography notwithstanding, it successfully transitions from a forced comedy with 2 or 3 laughs into an okay if formulaic romance drama. As the title says… | ![]() |
Greta | 2018 | Neil Jordan | United States | 1 | The real mystery is how this script went into production. Some interesting ideas about aristocracy are wasted in a failure on every level. Should have been a comedy. | ![]() |
The Yakuza | 1974 | Sydney Pollack | United States | 4 | ![]() | |
The 9th Life of Louis Drax | 2016 | Alexandre Aja | Canada | 4 | Best De Palma film since Femme Fatale. High level expressionistic mastery with a great respect for the pure mystery genre. | ![]() |
Jack Reacher: Never Go Back | 2016 | Edward Zwick | United States | 1 | Couldn’t believe the bad reviews, but now I do. What an incredible embarrassment. Everything here is wrong, including sound. | ![]() |
Shoplifters | 2018 | Hirokazu Koreeda | Japan | 4 | Kore-eda veterans will be startled by the dark turns, all will be seduced by the smooth editing and story development and a bit more careful with the people around us. | ![]() |
Alita: Battle Angel | 2019 | Robert Rodriguez | United States | 4 | Needs 20′ more or less but the dark ending is earned, because few things are as tragic as corrupted optimism. | ![]() |
Glass | 2019 | M. Night Shyamalan | United States | 4 | Night pushed himself towards the impossible, a trilogy that doesn’t suck, to inspire us all. | ![]() |
The Nun | 2018 | Corin Hardy | United States | 3 | A slick theme park ride where you get your money’s worth of scares – nothing more, nothing less. | ![]() |
Indochine | 1992 | Régis Wargnier | France | 4 | ![]() | |
Hanna | 2011 | Joe Wright | United Kingdom | 3 | ![]() | |
Solo: A Star Wars Story | 2018 | Ron Howard | United States | 3 | Get on board, this is the good, fun one, finally. | ![]() |
Black Panther | 2018 | Ryan Coogler | United States | 3 | Colonialism is not an issue, third world people are their own worst enemy and the CIA is your friend HAHAHA | ![]() |
Ready Player One | 2018 | Steven Spielberg | United States | 4 | Surprisingly adequate Alan Silverstri with a little help from a few pop songs. Full review. | ![]() |
Downsizing | 2017 | Alexander Payne | United States | 2 | Overreaching | ![]() |
Justice League (Whedon Cut) | 2017 | Joss Whedon, Zack Snyder | United States | 3 | Not bad. The usual Snyder vision is a little watered down here, but it still has enough eye-popping compositions, clearly defined moving parts and slow motion goodness to please this viewer. Interesting unpretentious characterization too. | ![]() |
In My Country | 2004 | John Boorman | United Kingdom | 4 | ![]() | |
Journey to the Shore | 2015 | Kiyoshi Kurosawa | Japan | 4 | KK still going strong. He takes a tired premise and imbues it with gentle humanity in wonderful compositions. A companion piece to Kore-eda’s Afterlife. | ![]() |
Star Wars: The Last Jedi | 2017 | Rian Johnson | United States | 1 | A lot of Star Wars here, but the original elevator scene in Return of the Jedi alone is better than the whole The Last Jedi. | ![]() |
CHiPs | 2017 | Dax Shepard | United States | 2 | GTA5 DLC | ![]() |
Atomic Blonde | 2017 | David Leitch | United States | 2 | Woeful on so many levels. See Black Book again instead. | ![]() |
The November Man | 2014 | Roger Donaldson | United States | 3 | ![]() | |
Baby Driver | 2017 | Edgar Wright | United Kingdom | 2 | Relive the bad old days when everybody had to be like Tarantino. Half of this is an unsettling ugly loud cacophony. Sadly it has nothing to do with the elegance and simplicity of The Driver. | ![]() |
Hacksaw Ridge | 2016 | Mel Gibson | United States | 3 | Couldn’t serve in the administration? | ![]() |
Patriots Day | 2016 | Peter Berg | United States | 3 | ![]() | |
Guardians of the Galaxy Vol. 2 | 2017 | James Gunn | United States | 3 | My God, it’s full of colours! | ![]() |
Silence | 2016 | Martin Scorsese | United States | 3 | The voiceover could use some silencing. | ![]() |
The Fate of the Furious | 2017 | F. Gary Gray | United States | 3 | Brian Tyler on point. | ![]() |
X-Men Origins: Wolverine | 2009 | Gavin Hood | United States | 3 | Can’t believe the popular backlash. This one has the best character development of all Wolverine films and the most imaginative and fun action scenes. | ![]() |
The Garden of Words | 2013 | Makoto Shinkai | Japan | 3 | This notable Club 27 (years old woman), after Only Yesterday, looks like an anime directed by Tran Anh Hung, because of the elements playing a leading part. | ![]() |
Transcendence | 2014 | Wally Pfister | United States | 3 | ![]() | |
Loom | 2012 | Luke Scott | United States | 3 | ![]() | |
T2: Trainspotting | 2017 | Danny Boyle | United Kingdom | 4 | Not bad, not bad at all. Well done lads. | ![]() |
Split | 2016 | M. Night Shyamalan | United States | 4 | Superior craftsmanship kept dozens of wild teenagers focused and quiet in the cinema for 2 hours. | ![]() |
David Bowie: The Last Five Years | 2017 | Francis Whately | United Kingdom | 4 | ![]() | |
Star Wars: Episode VI – Return of the Jedi | 1983 | Richard Marquand | United States | 5 | ![]() | |
Allied | 2016 | Robert Zemeckis | United States | 3 | It’s OK. A little too PC feminist, a little too serious during ridiculous passages. Black Book it ain’t. | ![]() |
Arrival | 2016 | Denis Villeneuve | United States | 5 | The true meaning of peace, inner or outer, is feeling no anger or regret towards the world and your life and accepting them as they are. | ![]() |
Pompeii | 2014 | Paul W.S. Anderson | Canada | 3 | ![]() | |
Our Kind of Traitor | 2016 | Susanna White | United Kingdom | 3 | Why did it remind me of The Conformist? | ![]() |
Sully | 2016 | Clint Eastwood | United States | 4 | ![]() | |
De Palma | 2015 | Noah Baumbach, Jake Paltrow | United States | 4 | ![]() | |
A Hologram For The King | 2015 | Tom Tykwer | United Kingdom | 3 | Tykwer does an uncynical Assayas | ![]() |
The Millionaire Tour | 2012 | Inon Shampanier | United States | 3 | ![]() | |
Batman v Superman: Dawn of Justice | 2016 | Zack Snyder | United States | 3 | ![]() | |
Letter from an Unknown Woman | 1948 | Max Ophüls | United States | 5 | ![]() | |
Hail, Caesar! | 2016 | Ethan Coen, Joel Coen | United States | 1 | A creepy and out of tune ode to Hollywood | ![]() |
Running Scared | 2006 | Wayne Kramer | United States | 4 | ![]() | |
Point Break | 2015 | Ericson Core | United States | 3 | I like the Point Break remake, so sue me. It’s different enough, keeps the attention and the very long stunts have a documentary quality. | ![]() |
Our Little Sister | 2015 | Hirokazu Koreeda | Japan | 4 | ![]() | |
Black Swan | 2010 | Darren Aronofsky | United States | 3 | Aronofsky is a bigger Perfect Blue fan than you. | ![]() |
The Treasure of the Sierra Madre | 1948 | John Huston | United States | 4 | ![]() | |
Creed | 2015 | Ryan Coogler | United States | 4 | Knockout dramaturgy under extremely confident direction. | ![]() |
The Martian | 2015 | Ridley Scott | United States | 4 | Masterclass in pacing. | ![]() |
The Tailor of Panama | 2001 | John Boorman | United States | 4 | ![]() | |
Hot Pursuit | 2015 | Anne Fletcher | United States | 4 | Finally the truth about minibars. | ![]() |
The Assassin | 2015 | Hou Hsiao-hsien | Taiwan | 5 | This is the reason cinema is more than photography and drama. Bow to the great masters Hou Hsiao Hsien and Mark Lee Ping Bin. | ![]() |
Coming Home | 2014 | Zhang Yimou | China | 3 | Leaky eyes, earned smiles. | ![]() |
Self/less | 2015 | Tarsem Singh | United States | 3 | Tarsem goes a little Shyamalan in a nice Starman remake with more chases. | ![]() |
Mission: Impossible – Rogue Nation | 2015 | Christopher McQuarrie | United States | 4 | Just: For – Fun | ![]() |
Jurassic World | 2015 | Colin Trevorrow | United States | 2 | ![]() | |
The Wolf of Wall Street | 2013 | Martin Scorsese | United States | 3 | Cinematography was perfect: classical glamour without the flaws of old times’ lighting. Finally something good to come out of the Mexican wave. | ![]() |
Arbitrage | 2012 | Nicholas Jarecki | United States | 3 | Good, but please understand how the b-movie Armored surpasses it in honesty and social/moral awareness. | ![]() |
Wild | 2014 | Jean-Marc Vallée | United States | 2 | Wildly middle-of-the-road. | ![]() |
Master and Commander: The Far Side of the World | 2003 | Peter Weir | United States | 4 | Raw, linear, uncomplicated, authentic – a breath of fresh air. | ![]() |
The Imitation Game | 2014 | Morten Tyldum | United States | 4 | More than a simple outsider biopic, this is a story about stories and their huge influence over people’s fates. Full review. | ![]() |
Exodus: Gods and Kings | 2014 | Ridley Scott | United Kingdom | 3 | Careful when exploring the boundaries of humanity, because outside there is only horror and coldness. | ![]() |
Conspiracy Theory | 1997 | Richard Donner | United States | 3 | Alice through the Looking Glass | ![]() |
Maleficent | 2014 | Robert Stromberg | United States | 3 | Secretly wants to be Giallo. | ![]() |
Jack Reacher | 2012 | Christopher McQuarrie | United States | 4 | ![]() | |
Grand Piano | 2013 | Eugenio Mira | Spain | 1 | The many false notes in filmmaking completely crash the nice idea. | ![]() |
Dallas Buyers Club | 2013 | Jean-Marc Vallée | United States | 4 | Impressive use of natural lighting. | ![]() |
Drug War | 2012 | Johnnie To | Hong Kong | 5 | 1972: No, really, the Mafia has integrity. 2012: No, really, the government has integrity. | ![]() |
Snow White and the Huntsman | 2012 | Rupert Sanders | United States | 3 | Feminist androgyny defeats female vanity. | ![]() |
Out of Time | 2003 | Carl Franklin | United States | 4 | 100% pure suspense. | ![]() |
Avé | 2011 | Konstantin Bojanov | Bulgaria | 3 | Mumblecore of misery. | ![]() |
The Grandmaster | 2013 | Wong Kar Wai | Hong Kong | 3 | It’s OK I guess, but dwarfed by the earlier Ashes of Time. | ![]() |
I Saw the Devil | 2010 | Kim Jee-woon | South Korea | 5 | Full review. | ![]() |
Strip Search | 2004 | Sidney Lumet | United States | 5 | Best post-9/11 film ever. Check it out. | ![]() |
Kingdom of Heaven | 2005 | Ridley Scott | Spain | 5 | It washes away the shame of Gladiator and redeems its director. Excellent brisk filmmaking with outstanding smooth editing. | ![]() |
Babel | 2006 | Alejandro González Iñárritu | United States | 1 | Drivel. | ![]() |
Swimming to Cambodia | 1987 | Jonathan Demme | United States | 4 | ![]() | |
The Chaser | 2008 | Na Hong-jin | South Korea | 5 | ![]() | |
The Day the Earth Stood Still | 2008 | Scott Derrickson | United States | 1 | Bullshit. Shinkansen would never break down. | ![]() |
Druids | 2001 | Jacques Dorfmann | France | 1 | ![]() | |
The Grey | 2011 | Joe Carnahan | United States | 5 | This is perfect: commercial art cinema shows its teeth. Brilliant all the way. And how about that ending! | ![]() |
Memoirs of a Geisha | 2005 | Rob Marshall | United States | 2 | ![]() | |
Beyond Rangoon | 1995 | John Boorman | United Kingdom | 5 | A beautiful, heart-pounding drama-adventure about the nature of heroism that goes beyond all expectations. Another delicate Boorman masterpiece. | ![]() |
I Love You | 2002 | Zhang Yuan | China | 5 | This profound study of the uncharted psychological territory between romance and madness would make Bergman proud. | ![]() |
Happy Feet | 2006 | George Miller & 2 more | United States | 5 | The Lawrence of Arabia of animated adventures. | ![]() |
The Diamond Arm | 1968 | Leonid Gaidai | Soviet Union | 5 | ![]() | |
The Terminal | 2004 | Steven Spielberg | United States | 4 | Nobody read the sign in America | ![]() |
Dog Day Afternoon | 1975 | Sidney Lumet | United States | 5 | ![]() | |
This Charming Girl | 2004 | Lee Yoon-ki | South Korea | 5 | ![]() | |
Mystery Men | 1999 | Kinka Usher | United States | 5 | The only superhero film you’ll ever need. | ![]() |
Breakfast on Pluto | 2005 | Neil Jordan | United Kingdom | 5 | ![]() | |
Unleashed | 2005 | Louis Leterrier | United States | 5 | ![]() | |
Ju Dou | 1990 | Zhang Yimou, Yang Fengliang | China | 5 | Ju Dou is a miracle of a film that can’t be put into words. | ![]() |
Quintet | 1979 | Robert Altman | United States | 5 | ![]() | |
HaHaHa | 2010 | Hong Sang-soo | South Korea | 5 | ![]() | |
Taken | 2008 | Pierre Morel | France | 5 | Pro-active action-thriller blasts the hypocrisy of political correctness, enlightens more than most social documentaries, saves the bruised genre. | ![]() |
Vincent & Theo | 1990 | Robert Altman | Germany | 5 | ![]() | |
Exit Through the Gift Shop | 2010 | Banksy | United States | 5 | Ha, a new F for Fake! Brilliant. | ![]() |
Indiana Jones and the Last Crusade | 1989 | Steven Spielberg | United States | 5 | ![]() | |
Kramer vs. Kramer | 1979 | Robert Benton | United States | 5 | ![]() | |
Hot Fuzz | 2007 | Edgar Wright | United Kingdom | 5 | absolutely epic action-comedy | ![]() |
Charlie and the Chocolate Factory | 2005 | Tim Burton | United Kingdom | 5 | ![]() | |
Planet of the Apes | 2001 | Tim Burton | United States | 5 | The point is that history is written by the brutally powerful and naive heroes only run around doomed, until the same truth is realised again and again. | ![]() |
Besieged | 1998 | Bernardo Bertolucci | Italy | 5 | Sadly mislabeled as minor Bertolucci film, this rousing masterpiece outdoes Wong Kar-wai. | ![]() |
Blue Gate Crossing | 2002 | Yee Chih-yen | Taiwan | 5 | Everyday poetry carried on the breeze by the bicycle, in the cosy warm neighbourhood evening and on the zen blue-green beach. | ![]() |
Waking the Dead | 2000 | Keith Gordon | United States | 5 | ![]() | |
Nothing But the Truth | 2008 | Rod Lurie | United States | 5 | ![]() | |
Mission: Impossible | 1996 | Brian De Palma | United States | 5 | O_O | ![]() |
Hamlet | 1996 | Kenneth Branagh | United Kingdom | 1 | ![]() | |
Casualties of War | 1989 | Brian De Palma | United States | 5 | ![]() | |
In Which We Serve | 1942 | David Lean, Noël Coward | United Kingdom | 5 | ![]() | |
The King of Comedy | 1982 | Martin Scorsese | United States | 5 | ![]() | |
Duel | 1971 | Steven Spielberg | United States | 5 | ![]() | |
Gladiator | 2000 | Ridley Scott | United States | 1 | ![]() | |
Avatar | 2009 | James Cameron | United States | 5 | ![]() | |
Spring, Summer, Fall, Winter… and Spring | 2003 | Kim Ki-duk | South Korea | 5 | ![]() | |
Riding Alone for Thousands of Miles | 2005 | Yasuo Furuhata, Zhang Yimou | China | 5 | ![]() | |
Akira | 1988 | Katsuhiro Ôtomo | Japan | 5 | It’s a blast and as great as ever. | ![]() |
Titanic | 1997 | James Cameron | United States | 5 | ![]() | |
They Live | 1988 | John Carpenter | United States | 5 | an eye opening masterpiece by the Master that is incredibly relevant today. a rare politically minded film (expertly masked as a b-movie) that hits hard right on target. don’t believe the hype and fight the power! | ![]() |
Total Recall | 1990 | Paul Verhoeven | United States | 5 | ![]() | |
The Tenant | 1976 | Roman Polanski | France | 5 | ![]() | |
Mr. Smith Goes to Washington | 1939 | Frank Capra | United States | 5 | ![]() | |
The Vertical Ray of the Sun | 2000 | Trần Anh Hùng | Vietnam | 5 | ![]() | |
Tokyo Fist | 1995 | Shin’ya Tsukamoto | Japan | 5 | ![]() | |
The Maltese Falcon | 1941 | John Huston | United States | 5 | ![]() | |
The Apartment | 1960 | Billy Wilder | United States | 5 | ![]() | |
8½ | 1963 | Federico Fellini | Italy | 5 | ![]() | |
Days of Being Wild | 1990 | Wong Kar Wai | Hong Kong | 5 | ![]() | |
Shanghai Triad | 1995 | Zhang Yimou | China | 5 | the pinnacle of form-as-story filmmaking. it doesn’t get any better than this. | ![]() |
Curse of the Golden Flower | 2006 | Zhang Yimou | China | 4 | ![]() | |
Red Cliff | 2008 | John Woo | China | 5 | ![]() | |
Andrei Rublev | 1966 | Andrei Tarkovsky | Soviet Union | 5 | ![]() | |
The Thing | 1982 | John Carpenter | United States | 5 | ![]() | |
The Dead Zone | 1983 | David Cronenberg | United States | 5 | ![]() | |
Tokyo-Ga | 1985 | Wim Wenders | West Germany | 3 | ![]() | |
M*A*S*H | 1970 | Robert Altman | United States | 5 | ![]() | |
A Prairie Home Companion | 2006 | Robert Altman | United States | 5 | ![]() | |
The Dreamers | 2003 | Bernardo Bertolucci | France | 5 | ![]() | |
Barton Fink | 1991 | Ethan Coen, Joel Coen | United States | 5 | ![]() | |
Intolerable Cruelty | 2003 | Joel Coen | United States | 2 | ![]() | |
Woman on the Beach | 2006 | Hong Sang-soo | South Korea | 5 | ![]() | |
Tale of Cinema | 2005 | Hong Sang-soo | South Korea | 5 | ![]() | |
The Nightmare Before Christmas | 1993 | Henry Selick | United States | 5 | ![]() | |
Ponyo | 2008 | Hayao Miyazaki | Japan | 5 | ![]() | |
Red Desert | 1964 | Michelangelo Antonioni | Italy | 5 | Antonioni’s vision doesn’t condemn or vindicate the features of modern life. Industrialisation and urbanisation are not simply themes or issues, they are the world the way it is here now. Human condition is something that just is and it happens to be intertwined with our everyday environment. The machines, factories, muddy roads, fog, confusion and everything else construct the grand canvas, home of humanity today. | ![]() |
Identification of a Woman | 1982 | Michelangelo Antonioni | Italy | 5 | ![]() | |
Jaws | 1975 | Steven Spielberg | United States | 5 | Masculinity matters and male anxiety is real | ![]() |
Empire of the Sun | 1987 | Steven Spielberg | United States | 4 | ![]() | |
Saving Private Ryan | 1998 | Steven Spielberg | United States | 4 | ![]() | |
Femme fatale | 2002 | Brian De Palma | France | 5 | ![]() | |
Paris, Texas | 1984 | Wim Wenders | West Germany | 5 | ![]() | |
Sonatine | 1993 | Takeshi Kitano | Japan | 5 | ![]() | |
Oasis | 2002 | Lee Chang-dong | South Korea | 5 | Where all Manhattan-based glamourous romantic comedies go to die, return as the zombies that they are and are washed from their sins against humanity. | ![]() |
Crimson Gold | 2003 | Jafar Panahi | Iran | 5 | ![]() | |
A History of Violence | 2005 | David Cronenberg | Germany | 4 | ![]() | |
Hidden | 2005 | Michael Haneke | France | 5 | ![]() | |
Kung Fu Hustle | 2004 | Stephen Chow | China | 4 | ![]() | |
Tokyo Sonata | 2008 | Kiyoshi Kurosawa | Japan | 5 | great, great, great. really, this film is great! | ![]() |
The Fisher King | 1991 | Terry Gilliam | United States | 5 | ![]() | |
Tideland | 2005 | Terry Gilliam | Canada | 1 | ![]() | |
Distant | 2002 | Nuri Bilge Ceylan | Turkey | 5 | ![]() | |
The Big Lebowski | 1998 | Joel Coen | United States | 5 | Ultimately, it’s about Friendship – if you are into that whole brevity thing. | ![]() |
Clean | 2004 | Olivier Assayas | France | 5 | ![]() | |
Once Upon a Time in America | 1984 | Sergio Leone | United States | 5 | ![]() | |
3-Iron | 2004 | Kim Ki-duk | South Korea | 5 | ![]() | |
After Hours | 1985 | Martin Scorsese | United States | 5 | ![]() | |
Carrie | 1976 | Brian De Palma | United States | 5 | ![]() | |
Maborosi | 1995 | Hirokazu Koreeda | Japan | 4 | ![]() | |
Little Red Flowers | 2006 | Zhang Yuan | Italy | 5 | ![]() | |
All or Nothing | 2002 | Mike Leigh | United Kingdom | 5 | ![]() | |
Zatoichi | 2003 | Takeshi Kitano | Japan | 5 | ![]() | |
Vertigo | 1958 | Alfred Hitchcock | United States | 5 | ![]() | |
That Obscure Object of Desire | 1977 | Luis Buñuel | France | 5 | ![]() | |
Taste of Cherry | 1997 | Abbas Kiarostami | Iran | 5 | ![]() | |
Sunset Blvd. | 1950 | Billy Wilder | United States | 5 | ![]() | |
Stalker | 1979 | Andrei Tarkovsky | Soviet Union | 5 | ![]() | |
The Silence of the Lambs | 1991 | Jonathan Demme | United States | 5 | ![]() | |
Secrets & Lies | 1996 | Mike Leigh | United Kingdom | 5 | ![]() | |
Scarface | 1983 | Brian De Palma | United States | 5 | It’s not about Gangsters, it’s a Capitalism horror-opera. | ![]() |
The Sacrifice | 1986 | Andrei Tarkovsky | Sweden | 5 | ![]() | |
RoboCop | 1987 | Paul Verhoeven | United States | 5 | ![]() | |
Three Colors: Red | 1994 | Krzysztof Kieślowski | France | 5 | ![]() | |
Psycho | 1960 | Alfred Hitchcock | United States | 5 | ![]() | |
The Passion of Joan of Arc | 1928 | Carl Theodor Dreyer | France | 5 | ![]() | |
Oliver Twist | 1948 | David Lean | United Kingdom | 5 | ![]() | |
Notorious | 1946 | Alfred Hitchcock | United States | 5 | ![]() | |
My Neighbor Totoro | 1988 | Hayao Miyazaki | Japan | 5 | ![]() | |
Life of Brian | 1979 | Terry Jones | United Kingdom | 5 | ![]() | |
McCabe & Mrs. Miller | 1971 | Robert Altman | United States | 5 | ![]() | |
Lawrence of Arabia | 1962 | David Lean | United Kingdom | 5 | ![]() | |
La dolce vita | 1960 | Federico Fellini | Italy | 5 | ![]() | |
La jetée | 1962 | Chris Marker | France | 5 | ![]() | |
Irma Vep | 1996 | Olivier Assayas | France | 5 | ![]() | |
Ichi the Killer | 2001 | Takashi Miike | Japan | 5 | ![]() | |
Hard Boiled | 1992 | John Woo | Hong Kong | 5 | Sit back, relax and try to take it all in with eyes wide open. This mind-blowing extravaganza is the pinnacle of super-stylized, hyper-kinetic, crazy HK action films. It changes the world of action cinema forever, never bothering to stop and reload. | ![]() |
La Haine | 1995 | Mathieu Kassovitz | France | 5 | ![]() | |
The Good, the Bad and the Ugly | 1966 | Sergio Leone | Italy | 5 | ![]() | |
Ghost in the Shell | 1995 | Mamoru Oshii | Japan | 5 | ![]() | |
Fight Club | 1999 | David Fincher | United States | 5 | ![]() | |
L’Eclisse | 1962 | Michelangelo Antonioni | Italy | 5 | An achievement in modernism to be equalled on the other side of never. | ![]() |
The Crying Game | 1992 | Neil Jordan | United Kingdom | 5 | ![]() | |
Chinatown | 1974 | Roman Polanski | United States | 5 | ![]() | |
Bright Future | 2002 | Kiyoshi Kurosawa | Japan | 5 | ![]() | |
Blow-Up | 1966 | Michelangelo Antonioni | United Kingdom | 5 | OI! WAKE UP! it’s a timeless masterpiece forever | ![]() |
Beyond the Clouds | 1995 | Wim Wenders, Michelangelo Antonioni | Italy | 5 | ![]() | |
Audition | 1999 | Takashi Miike | Japan | 5 | ![]() | |
Extreme Prejudice | 1987 | Walter Hill | United States | 4 | Walter Hill to B-movies is what Douglas Sirk is to soap operas – superficially similar, but with great integrity, conviction and craftsmanship | ![]() |
Indiana Jones and the Dial of Destiny | 2023 | James Mangold | United States | 2 | Stilted filming style which fails to master both time and space. Exactly one good joke. A sincere attempt, but the director should go back to school and study Tintin’s Moroccan action sequence. | ![]() |
The Quiet American | 2002 | Phillip Noyce | United States | 4 | ![]() | |
When Forever Dies | 2020 | Peet Gelderblom | Netherlands | 5 | An original, poignant look at the mysteries of life and love, and the magic of cinema. Not in a cringy projector-beam-over-a-smiling-face way, but with ingenious juxtaposition, honesty and compassion. It’s the ultimate super cut and the potency of its editing will make Kuleshov blush. | ![]() |
Tucker: The Man and His Dream | 1988 | Francis Ford Coppola | United States | 3 | Beautiful, expensive, entertaining, subversive and iconic, but also rushed and dramatically understated. It needs at least half an hour more with this potentially wonderful ensemble. | ![]() |
The Offence | 1972 | Sidney Lumet | United Kingdom | 3 | Way too dark | ![]() |
Black Bird | 2022 | Michaël R. Roskam & 3 more | United States | 4 | ![]() | |
The Rainmaker | 1997 | Francis Ford Coppola | United States | 4 | While everybody was busy admiring The Godfather and the streets became cleaner, FFC scrutinised the increasingly mafia-like intimidation tactics employed by Big Corp and the justice system. Who is the bigger gangster now? | ![]() |
Killing Them Softly | 2012 | Andrew Dominik | United States | 3 | OK, but too self-indulgent, talky and obvious. A poor man’s political gangster analogy. | ![]() |
Top Gun: Maverick | 2022 | Joseph Kosinski | United States | 3 | Outgunned, broke, increasingly irrelevant? Hollywood got your back with illusions of heroism and a bucketload of spirit. And it honestly works, however hysterical and ridiculous. | ![]() |
Speed | 1994 | Jan de Bont | United States | 4 | Fastest rewatch I ever did. | ![]() |
The Matrix Resurrections | 2021 | Lana Wachowski | United States | 2 | Nice try, but no. The ambition and intriguing concept are crushed by the weight of very poor action staging, lack of propulsion, constant rehashing and general meaninglessness. | ![]() |
A Bittersweet Life | 2005 | Kim Jee-woon | South Korea | 4 | ![]() | |
Dune: Part One | 2021 | Denis Villeneuve | United States | 2 | Not sure about the decision to relinquish directing duties to Hans Zimmer in the last 30-40 minutes… | ![]() |
Family Romance, LLC | 2019 | Werner Herzog | United States | 3 | This film looks like s***, has an intriguing concept and provides a few compassionate moments of profound sadness. | ![]() |
February | 2020 | Kamen Kalev | Bulgaria | 4 | A beautiful opportunity to take a look at a life without ambition and liberate yourself from the daily grind for 2 hours. Full review. | ![]() |
Predestination | 2014 | Michael Spierig, Peter Spierig | Australia | 2 | OK but too much talking. | ![]() |
Zardoz | 1974 | John Boorman | United Kingdom | 4 | Probably the most far out film where all the craziness somehow makes perfect sense in political, social, religious, sexual and human context. | ![]() |
Angel Has Fallen | 2019 | Ric Roman Waugh | United States | 1 | Remember the operatic, magnificent camera work in Die Hard? This is the exact opposite. Action scenes here are an unimaginative ugly chore. The only saving grace is the Nick Nolte dynamic, which is admittedly pretty cool. | ![]() |
Long Day’s Journey Into Night | 2018 | Bi Gan | China | 4 | Lower class wasteland lined with hardship, dotted by fleeting doses of entertainment and supported by dreams of escaping. | ![]() |
Vice | 2018 | Adam McKay | United States | 2 | Barely watchable thanks to the amazing story. The creative flourishes are mildly amusing and largely cringe-worthy. The uninspired cinematography is a chore. Watch Errol Morris’ wonderful The Unknown Known instead. | ![]() |
King Arthur: Legend of the Sword | 2017 | Guy Ritchie | United Kingdom | 3 | ![]() | |
Deadpool 2 | 2018 | David Leitch | United States | 4 | No matter how good, some blockbuster sequels just can’t shake the sameness and pointlessness (Guardians 2, Red 2). DP2, on the other hand, is as worthy a sequel as it can be, while staying amazingly fresh. For fans of the original and Mr Reynolds, it’s a must. | ![]() |
Da 5 Bloods | 2020 | Spike Lee | United States | 3 | Messy, but entertaining and occasionally poignant. If you really must watch a group of mentally tortured black veterans return to Vietnam and s*** hit the fan, you won’t be disappointed. | ![]() |
Richard Jewell | 2019 | Clint Eastwood | United States | 4 | ![]() | |
Bad Boys For Life | 2020 | Adil El Arbi, Bilall Fallah | United States | 3 | ![]() | |
Godzilla: King of the Monsters | 2019 | Michael Dougherty | United States | 2 | I could only stomach about 40′ of intense reaction close ups against murky CGI mayhem. Why bother? | ![]() |
The Irishman | 2019 | Martin Scorsese | United States | 3 | This OK elegy is not a patch on Carlito’s Way. | ![]() |
Terminator: Dark Fate | 2019 | Tim Miller | United States | 3 | Genuinely amusing character interplay in what appears to be a great high school play based on the originals. Minus two points for uninspiring CGI/staging of the action and general pointlessness. | ![]() |
Avengers: Endgame | 2019 | Anthony Russo, Joe Russo | United States | 2 | A little mischievousness can’t offset the blur of countless throwaway scenes and gags that try to create emotion in 3 seconds and it’s off to the next one. | ![]() |
The Last Battle | 1983 | Luc Besson | France | 5 | ![]() | |
Fellini’s Roma | 1972 | Federico Fellini | Italy | 4 | A delirious, inherently cinematic time capsule with terrible sound. | ![]() |
Jurassic World: Fallen Kingdom | 2018 | Juan Antonio Bayona | United States | 3 | ![]() | |
Safe | 2012 | Boaz Yakin | United States | 4 | One of the best action films ever made. | ![]() |
Shadow | 2018 | Zhang Yimou | China | 5 | From chamber drama to Shakespearen tragedy to Impressionism to wuxia silliness to Grand Guignol bloodshed to a holy shit ending, Yimou is unwavering. | ![]() |
The Mule | 2018 | Clint Eastwood | United States | 5 | A beautiful picture of the expansive country where all roads lead back home, eventually. An Americana masterpiece. | ![]() |
The Man Who Killed Don Quixote | 2018 | Terry Gilliam | Spain | 3 | The Fisher King lite, Baron Munchausen lite and a moving theme of affecting people around you with your fantasies. Too busy, stylistically bland and edited too quickly, but very entertaining indeed. | ![]() |
Bodied | 2017 | Joseph Kahn | United States | 3 | The irony here is that these clowns chose to appropriate Disney of all cultures, with a superhero origin story where fighters use words. | ![]() |
Inglourious Basterds | 2009 | Quentin Tarantino | United States | 4 | Unabashed belief in the mythical power of semiotics. | ![]() |
The Equalizer 2 | 2018 | Antoine Fuqua | United States | 4 | Smaller, better and the most this time it’s personal sequel since Infernal Affairs 3. Harry Gregson-Williams is a star. | ![]() |
The Adventures of Buckaroo Banzai Across the 8th Dimension | 1984 | W.D. Richter | United States | 2 | The end credits are a fantastic little scene. | ![]() |
Ayla: The Daughter of War | 2017 | Can Ulkay | Turkey | 3 | Turkey torn between its historical Asian roots (Korean melodrama) and desired Western future. | ![]() |
The Salesman | 2016 | Asghar Farhadi | Iran | 4 | Sharp social drama. Lean with no superfluous filler. | ![]() |
Annihilation | 2018 | Alex Garland | United Kingdom | 3 | Remember when cinema had hot women? | ![]() |
The Post | 2017 | Steven Spielberg | United States | 4 | See, Guillermo? It’s possible to fantasize about your beliefs without forcing propaganda down our throats. Spielberg, Kaminski, John Williams, Michael Kahn and the great cast have crafted an excellent, restrained film whose only flaw is it didn’t happen during Obama’s atrocities. | ![]() |
Eternité | 2016 | Trần Anh Hùng | France | 3 | Cruel. The price for humanity’s eternal life is the grief for the loss of those who didn’t make it. | ![]() |
The Commuter | 2018 | Jaume Collet-Serra | United Kingdom | 3 | Very solid if not quite as great as Non-Stop. | ![]() |
Die Hard | 1988 | John McTiernan | United States | 5 | ![]() | |
Dear John | 2010 | Lasse Hallström | United States | 3 | Better than Sorrentino’s Youth. | ![]() |
The Light Between Oceans | 2016 | Derek Cianfrance | United Kingdom | 3 | Slightly contrived, but very moving and full of quasi David Lean landscapes. The lights is happiness and the oceans are families. Can it shine on both at once? | ![]() |
Blade Runner 2049 | 2017 | Denis Villeneuve | United States | 5 | The rift between sentimentality and rationality holds the full spectrum of the human experience. Full review. | ![]() |
The Last Face | 2016 | Sean Penn | United States | 3 | Not as bad as they say. Occasionally poignant and ridiculous. You’re better off with Takashi Miike’s The Lion Standing in the Wind (2015), though. | ![]() |
Valerian and the City of a Thousand Planets | 2017 | Luc Besson | France | 3 | An arresting experience, but what’s with the inane dialogue and unfunny jokes? Embarrassing voice-over one liners in split seconds. 🙁 Pacing also didn’t work for me in the first half. | ![]() |
The Great Wall | 2016 | Zhang Yimou | China | 3 | ![]() | |
Alien: Covenant | 2017 | Ridley Scott | United States | 3 | Jed Kurzel is my jam. Trans humanism doesn’t get any better/horrifying than this | ![]() |
Billy Lynn’s Long Halftime Walk | 2016 | Ang Lee | United States | 3 | Good, but I wish Ang Lee would stop trying to force spirituality down our throats, Life of Pi style. That’s not how it works. | ![]() |
The Age of Shadows | 2016 | Kim Jee-woon | South Korea | 4 | ![]() | |
Prisoners | 2013 | Denis Villeneuve | United States | 5 | Trapped by their own faith(lessness). | ![]() |
Assassin’s Creed | 2016 | Justin Kurzel | United States | 3 | ![]() | |
The Hangover | 2009 | Todd Phillips | United States | 5 | ![]() | |
Moana | 2016 | John Musker & 3 more | United States | 4 | Now this is more like it and washes away the bad taste from awful Finding Dory. | ![]() |
Finding Dory | 2016 | Andrew Stanton, Angus MacLane | United States | 1 | An obnoxious, unfunny, merciless barrage of shouting and tic action. | ![]() |
Doctor Strange | 2016 | Scott Derrickson | United States | 3 | Breaking the rules of auteur cinema has never been more fulfilling. | ![]() |
Train to Busan | 2016 | Yeon Sang-ho | South Korea | 4 | Almost as terrifying as that time when I had kimchi for breakfast on the KTX. | ![]() |
Masterminds | 2015 | Jared Hess | United States | 3 | ![]() | |
Rogue One: A Star Wars Story | 2016 | Gareth Edwards | United States | 1 | I’m the pilot!? WTF. Full review. | ![]() |
Suicide Squad | 2016 | David Ayer | United States | 3 | ![]() | |
The Handmaiden | 2016 | Park Chan-wook | South Korea | 3 | Needs more twists | ![]() |
Saving Mr. Wu | 2015 | Sheng Ding | China | 3 | ![]() | |
Star Trek Beyond | 2016 | Justin Lin | United States | 1 | Beyond indifferent | ![]() |
Snowden | 2016 | Oliver Stone | Germany | 3 | ![]() | |
War Dogs | 2016 | Todd Phillips | United States | 3 | Full review. | ![]() |
Warcraft: The Beginning | 2016 | Duncan Jones | United States | 3 | ![]() | |
The Mermaid | 2016 | Stephen Chow | China | 3 | ![]() | |
Captain America: Civil War | 2016 | Anthony Russo, Joe Russo | United States | 3 | Good tough throwback. -1 for immortality and -1 for 3D. | ![]() |
Carol | 2015 | Todd Haynes | United States | 3 | Way to suck the life out of Douglas Sirk. | ![]() |
Pawn Shop Chronicles | 2013 | Wayne Kramer | United States | 4 | ![]() | |
The Cooler | 2003 | Wayne Kramer | United States | 3 | ![]() | |
Room | 2015 | Lenny Abrahamson | Canada | 4 | ![]() | |
Deadpool | 2016 | Tim Miller | United States | 3 | ![]() | |
Steve Jobs | 2015 | Danny Boyle | United States | 3 | Dynamic talkie keeps attention. | ![]() |
The Raid 2 | 2014 | Gareth Evans | Indonesia | 3 | ![]() | |
The Hateful Eight | 2015 | Quentin Tarantino | United States | 4 | Also Robert Altman’s Quintet. | ![]() |
Star Wars: The Force Awakens | 2015 | J.J. Abrams | United States | 4 | Score was better than expected, just great. | ![]() |
About Elly | 2009 | Asghar Farhadi | Iran | 3 | ![]() | |
Spectre | 2015 | Sam Mendes | United Kingdom | 3 | Feed the DP, score and song composer to the laser sharks. | ![]() |
This Is the End | 2013 | Evan Goldberg, Seth Rogen | United States | 3 | ![]() | |
Inside Out | 2015 | Pete Docter, Ronnie Del Carmen | United States | 4 | If it takes the full spectrum of the human condition to get Pixar’s groove back, so be it. | ![]() |
Avengers: Age of Ultron | 2015 | Joss Whedon | United States | 1 | Enjoyed the line “None of this makes any sense”. | ![]() |
Spy | 2015 | Paul Feig | United States | 1 | 1 star for some inspired insults. The rest ”twitchy contrasts comedy, numbing reaction shots, throwaway explanation lines again and again“ is an insult to arts and humanity. | ![]() |
Chappie | 2015 | Neill Blomkamp | United States | 4 | The right kind of b-movie. | ![]() |
Jupiter Ascending | 2015 | Lilly Wachowski, Lana Wachowski | United States | 3 | ![]() | |
Ex Machina | 2014 | Alex Garland | United Kingdom | 3 | If an extended music video presents itself as a film, does it believe it or is it pretending? | ![]() |
Big Eyes | 2014 | Tim Burton | United States | 2 | ![]() | |
Blackhat | 2015 | Michael Mann | United States | 5 | From the ashes of the bandits/cops genre arises a modern western where the frontier is no longer geographical, cultural or racial. It’s a rabbit hole to the underground cyberspace which literally changes the face of the Earth. | ![]() |
Taken 3 | 2014 | Olivier Megaton | France | 2 | Solid story, but what’s with the insane editing? | ![]() |
Apocalypto | 2006 | Mel Gibson | United States | 5 | ![]() | |
Happy Feet Two | 2011 | George Miller & 2 more | Australia | 2 | Messaging overdrive left me cold to this passable, but inferior and unnecessary sequel to a masterpiece. | ![]() |
Captain America: The Winter Soldier | 2014 | Anthony Russo, Joe Russo | United States | 3 | ![]() | |
Sorcerer | 1977 | William Friedkin | United States | 4 | ![]() | |
Non-Stop | 2014 | Jaume Collet-Serra | United States | 4 | Awesome thriller. | ![]() |
The Hangover Part III | 2013 | Todd Phillips | United States | 3 | Don’t mess with Todd Phillips. The man knows how to compose shots. | ![]() |
Gravity | 2013 | Alfonso Cuarón | United States | 1 | I picked the wrong week to quit drinking space vodka. Zero G awards for this terrible long unpleasantness. Next time, take the Lifeboat. | ![]() |
The Flowers of War | 2011 | Zhang Yimou | China | 4 | Invading a country is unnatural, like masking corruption as innocence. War is deception for all parties involved and they can never go back to decency. Only pretend. | ![]() |
The Emerald Forest | 1985 | John Boorman | United Kingdom | 5 | The greenest film ever made (in all senses of the word) | ![]() |
The Hangover: Part II | 2011 | Todd Phillips | United States | 3 | The decline of this series has been greatly exaggerated. | ![]() |
Under the Hawthorn Tree | 2010 | Zhang Yimou | China | 4 | Gently devastating Cultural Revolution drama proves Yimou haters wrong (again). | ![]() |
Bad Boys II | 2003 | Michael Bay | United States | 4 | This is totally ridiculous in every way. Loved it! | ![]() |
The Social Network | 2010 | David Fincher | United States | 3 | This shadow-society essay is no doubt fascinating, with its blank characters with faces, lit only from aside and the overbearing feeling of aimlessness. But why such a somber and endlessly depressing tone? The Hudsucker Proxy is superior to this, plus it’s actually entertaining. | ![]() |
Star Wars: Episode IV – A New Hope | 1977 | George Lucas | United States | 4 | Never underestimate the power of Cool Sh!t™️ | ![]() |
M | 1931 | Fritz Lang | Germany | 5 | M(asterpiece) | ![]() |
The Road | 1982 | Şerif Gören, Yılmaz Güney | Turkey | 4 | Misery, fear and honour. | ![]() |
The Skin I Live In | 2011 | Pedro Almodóvar | Spain | 5 | This full-on virtuoso psycho drama is the best De Palma film since Femme Fatale. | ![]() |
Iron Man 3 | 2013 | Shane Black | United States | 2 | ![]() | |
Tony Takitani | 2004 | Jun Ichikawa | Japan | 5 | playful, careful and considerate meeting of literature and cinema.exquisite framing, underlined by a constant slow pan. nary a trace of colour. gentle minimalistic piano by sakamoto-sensei. in tony takitani, it feels like the outside world is but a whisper from far away | ![]() |
Arsenic and Old Lace | 1944 | Frank Capra | United States | 5 | ![]() | |
Monsters, Inc. | 2001 | Pete Docter & 2 more | United States | 5 | ![]() | |
Eagle Eye | 2008 | D.J. Caruso | United States | 1 | ![]() | |
Mr. Cinema | 2007 | Samson Chiu | Hong Kong | 4 | ![]() | |
Claustrophobia | 2008 | Ivy Ho | Hong Kong | 5 | ![]() | |
Harold & Kumar Go to White Castle | 2004 | Danny Leiner | United States | 5 | ![]() | |
Cast Away | 2000 | Robert Zemeckis | United States | 5 | ![]() | |
A Moment of Innocence | 1996 | Mohsen Makhmalbaf | Iran | 5 | On par with Close-up (!) – the very best of self-reflexive cinema as a link between passion in politics and humanism in history. | ![]() |
Time | 2006 | Kim Ki-duk | South Korea | 4 | ![]() | |
The Namesake | 2006 | Mira Nair | India | 4 | ![]() | |
A Scene at the Sea | 1991 | Takeshi Kitano | Japan | 5 | ![]() | |
Mrs. Doubtfire | 1993 | Chris Columbus | United States | 1 | A crime against humanity. | ![]() |
Kin-Dza-Dza! | 1986 | Georgi Daneliya | Soviet Union | 5 | ![]() | |
Something Wild | 1986 | Jonathan Demme | United States | 5 | ![]() | |
Vampires | 1998 | John Carpenter | United States | 5 | ![]() | |
Poetry | 2010 | Lee Chang-dong | South Korea | 5 | “Poetry” is Heart is That little something we’re always looking for in order to make life worthwhile. | ![]() |
Open Range | 2003 | Kevin Costner | United States | 5 | ![]() | |
Minority Report | 2002 | Steven Spielberg | United States | 5 | a cinematic miracle that never slows down. the dizzying action routine is shattered, after we find an important, personal image in the ocean of visual noise. yes, it’s blow-up as sci-fi, plus a bold criticism of democracy: the majority is not always right. almost as great a film as a.i. | ![]() |
GoldenEye | 1995 | Martin Campbell | United States | 5 | ![]() | |
Serpico | 1973 | Sidney Lumet | United States | 5 | ![]() | |
Prince of Persia: The Sands of Time | 2010 | Mike Newell | United States | 1 | ![]() | |
The Ghost Writer | 2010 | Roman Polanski | France | 5 | The man, who already is a Ghost, takes the ferry over the river Styx, and goes into the post-apocalyptic afterlife, that is contemporary America imagined by Polanski, who shows us an intense feeling of disconnection, alienation and suspicion. Full review. | ![]() |
The Ninth Gate | 1999 | Roman Polanski | United States | 5 | ![]() | |
Eastern Plays | 2009 | Kamen Kalev | Bulgaria | 5 | Some day, you will see a fresh landscape outside your bus window. But when and how, is a mystery. Because time is cyclic and man is an impenetrable multi-faceted crystal. | ![]() |
Blow Out | 1981 | Brian De Palma | United States | 5 | “I’m a sound man – I know what an echo sounds like.” – and so begins De Palma’s search for echoes of integrity in society and media. | ![]() |
A Passage to India | 1984 | David Lean | United States | 5 | ![]() | |
The Manchurian Candidate | 2004 | Jonathan Demme | United States | 5 | Unflinching dissection of political schizophrenia and brainwash. Current political games are so far away from the ideals they should follow that they render (patriotic) people confused and completely lost. A cinematic revelation with narrative as fragmented and harrowing as the reality it represents. | ![]() |
Mission to Mars | 2000 | Brian De Palma | United States | 5 | Fearless exploration of the unknown is the ultimate release. | ![]() |
Hi, Mom! | 1970 | Brian De Palma | United States | 5 | ![]() | |
Dead or Alive 2: Birds | 2000 | Takashi Miike | Japan | 5 | ![]() | |
The Wrong Man | 1956 | Alfred Hitchcock | United States | 5 | ![]() | |
Do the Right Thing | 1989 | Spike Lee | United States | 5 | ![]() | |
Jurassic Park | 1993 | Steven Spielberg | United States | 5 | ![]() | |
Tokyo Godfathers | 2003 | Satoshi Kon | Japan | 5 | ![]() | |
Shirin | 2008 | Abbas Kiarostami | Iran | 5 | ![]() | |
To Live | 1994 | Zhang Yimou | China | 5 | Nothing can prepare you for this surprising, moving and ultimately devastating masterpiece of cinema. | ![]() |
Ulysses’ Gaze | 1995 | Theodoros Angelopoulos | Greece | 5 | ![]() | |
The Terminator | 1984 | James Cameron | United States | 5 | ![]() | |
Terminator Salvation | 2009 | McG | United Kingdom | 2 | Broken beyond any hope for salvation. | ![]() |
Escape from New York | 1981 | John Carpenter | United States | 5 | ![]() | |
Black Book | 2006 | Paul Verhoeven | Netherlands | 5 | ![]() | |
Black Cat, White Cat | 1998 | Emir Kusturica | Yugoslavia | 5 | ![]() | |
The Best Years of Our Lives | 1946 | William Wyler | United States | 5 | ![]() | |
The Killing Fields | 1984 | Roland Joffé | United Kingdom | 5 | ![]() | |
A Snake of June | 2002 | Shin’ya Tsukamoto | Japan | 5 | ![]() | |
The Night of the Hunter | 1955 | Charles Laughton | United States | 5 | ![]() | |
Touch of Evil | 1958 | Orson Welles | United States | 5 | ![]() | |
Fellini Satyricon | 1969 | Federico Fellini | Italy | 5 | ![]() | |
Raise the Red Lantern | 1991 | Zhang Yimou | China | 5 | Acclaimed, celebrated, canonised… and still underrated! | ![]() |
The Road Home | 1999 | Zhang Yimou | China | 5 | ![]() | |
Infernal Affairs II | 2003 | Alan Mak, Andrew Lau Wai-keung | China | 4 | ![]() | |
Comrades: Almost a Love Story | 1996 | Peter Ho-Sun Chan | Hong Kong | 5 | most touching romance/drama since brief encounter. surprising, awesome and unforgettable | ![]() |
Eastern Promises | 2007 | David Cronenberg | Canada | 4 | ![]() | |
The Fly | 1986 | David Cronenberg | United States | 5 | ![]() | |
Interview with the Vampire | 1994 | Neil Jordan | United States | 4 | ![]() | |
Land of Plenty | 2004 | Wim Wenders | Germany | 5 | ![]() | |
The Long Goodbye | 1973 | Robert Altman | United States | 5 | ![]() | |
1900 | 1976 | Bernardo Bertolucci | Italy | 5 | ![]() | |
The World | 2004 | Jia Zhangke | China | 5 | ![]() | |
Raising Arizona | 1987 | Joel Coen | United States | 5 | ![]() | |
No Country for Old Men | 2007 | Joel Coen, Ethan Coen | United States | 5 | ![]() | |
Like You Know It All | 2009 | Hong Sang-soo | South Korea | 5 | ![]() | |
Chopper | 2000 | Andrew Dominik | Australia | 5 | The best Hulk film by far. | ![]() |
Ed Wood | 1994 | Tim Burton | United States | 5 | ![]() | |
A Short Film About Love | 1988 | Krzysztof Kieślowski | Poland | 5 | ![]() | |
Zabriskie Point | 1970 | Michelangelo Antonioni | United States | 5 | ![]() | |
Obsession | 1976 | Brian De Palma | United States | 5 | ![]() | |
Close Encounters of the Third Kind | 1977 | Steven Spielberg | United States | 5 | ![]() | |
Always | 1989 | Steven Spielberg | United States | 5 | The ultimate Geek romance. | ![]() |
Indiana Jones and the Kingdom of the Crystal Skull | 2008 | Steven Spielberg | United States | 3 | ![]() | |
Tokyo Story | 1953 | Yasujirō Ozu | Japan | 5 | ![]() | |
Point Blank | 1967 | John Boorman | United States | 5 | ![]() | |
Code Unknown: Incomplete Tales of Several Journeys | 2000 | Michael Haneke | France | 5 | ![]() | |
Where Is the Friend’s House? | 1987 | Abbas Kiarostami | Iran | 5 | ![]() | |
Close-Up | 1990 | Abbas Kiarostami | Iran | 5 | This wonderful Close-up encompasses everything about humanity, art and society. Wow indeed. | ![]() |
The Pianist | 2002 | Roman Polanski | Germany | 5 | ![]() | |
Lost Highway | 1997 | David Lynch | United States | 5 | ![]() | |
Shaolin Soccer | 2001 | Stephen Chow | China | 4 | ![]() | |
The International | 2009 | Tom Tykwer | Germany | 5 | Makes the recent attempts at grounding Bond as ridiculous as Nolan’s Batman. They have nothing on Tykwer’s unflinching relevance, astonishing exactness and one of the most amazing action sequences of all time. Bullet spray repaints a museum of art. Civilisation is built upon violence. Absolutely brilliant. | ![]() |
The Adventures of Baron Munchausen | 1988 | Terry Gilliam | United Kingdom | 5 | ![]() | |
Sparrow | 2008 | Johnnie To | Hong Kong | 5 | ![]() | |
2046 | 2004 | Wong Kar Wai | Hong Kong | 5 | ![]() | |
Achilles and the Tortoise | 2008 | Takeshi Kitano | Japan | 5 | the best film by kitano (!) and one of the best films about art (together with vincent and theo). anyone interested or involved with art should check it out. it goes as deep in the matter as it gets. | ![]() |
Aliens | 1986 | James Cameron | United States | 4 | ![]() | |
Back to the Future | 1985 | Robert Zemeckis | United States | 5 | ![]() | |
The Matrix | 1999 | Lilly Wachowski, Lana Wachowski | United States | 5 | ![]() | |
Catch Me If You Can | 2002 | Steven Spielberg | United States | 5 | ![]() | |
The Untouchables | 1987 | Brian De Palma | United States | 5 | ![]() | |
Still Walking | 2008 | Hirokazu Koreeda | Japan | 5 | awesome, sublime, triumphant. if anyone doubted that kore-eda is as good as any japanese director in any time, here is the proof… served with immense aesthetic and humanistic pleasure | ![]() |
Seventeen Years | 1999 | Zhang Yuan | China | 5 | a great film by the great zhang yuan, the best young chinese director along with jia zhang-ke | ![]() |
Demonlover | 2002 | Olivier Assayas | France | 5 | this is the in-depth re-definition of modernism and l’avventura of this century | ![]() |
Yi Yi | 2000 | Edward Yang | Taiwan | 5 | ![]() | |
Underground | 1995 | Emir Kusturica | Yugoslavia | 5 | ![]() | |
Ten | 2002 | Abbas Kiarostami, Mania Akbari | Iran | 5 | ![]() | |
A Tale of Two Sisters | 2003 | Kim Jee-woon | South Korea | 5 | ![]() | |
Summertime | 1955 | David Lean | United States | 5 | ![]() | |
Spirited Away | 2001 | Hayao Miyazaki | Japan | 5 | ![]() | |
Short Cuts | 1993 | Robert Altman | United States | 5 | ![]() | |
Secret Sunshine | 2007 | Lee Chang-dong | South Korea | 5 | Any kind of social order – religion, politics etc – will always be at odds with the individual because, as the stunning post-tragedy scenes show, the human spirit can never be rationalised and tamed. | ![]() |
Scandal | 1950 | Akira Kurosawa | Japan | 5 | ![]() | |
Rushmore | 1998 | Wes Anderson | United States | 5 | ![]() | |
The River | 1951 | Jean Renoir | France | 5 | ![]() | |
Rear Window | 1954 | Alfred Hitchcock | United States | 5 | ![]() | |
Princess Mononoke | 1997 | Hayao Miyazaki | Japan | 5 | ![]() | |
Paths of Glory | 1957 | Stanley Kubrick | United States | 5 | ![]() | |
Oldboy | 2003 | Park Chan-wook | South Korea | 5 | ![]() | |
Nobody Knows | 2004 | Hirokazu Koreeda | Japan | 5 | ![]() | |
My Blueberry Nights | 2007 | Wong Kar Wai | Hong Kong | 5 | great film, i find its rejection funny and ironic (as his classic films were influenced by the culture we see here) | ![]() |
Monty Python and the Holy Grail | 1975 | Terry Jones, Terry Gilliam | United Kingdom | 5 | ![]() | |
The Man Who Wasn’t There | 2001 | Ethan Coen, Joel Coen | United States | 5 | ![]() | |
Last Tango in Paris | 1972 | Bernardo Bertolucci | France | 5 | ![]() | |
The Killing | 1956 | Stanley Kubrick | United States | 5 | ![]() | |
Ivan’s Childhood | 1962 | Andrei Tarkovsky | Soviet Union | 5 | ![]() | |
Into the Wild | 2007 | Sean Penn | United States | 5 | ![]() | |
Howl’s Moving Castle | 2004 | Hayao Miyazaki | Japan | 5 | ![]() | |
Happy Together | 1997 | Wong Kar Wai | Hong Kong | 5 | ![]() | |
Great Expectations | 1946 | David Lean | United Kingdom | 5 | ![]() | |
Gone with the Wind | 1939 | Sam Wood & 2 more | United States | 5 | ![]() | |
Full Metal Jacket | 1987 | Stanley Kubrick | United Kingdom | 5 | ![]() | |
Fargo | 1996 | Joel Coen | United States | 5 | ![]() | |
Dr. Strangelove | 1964 | Stanley Kubrick | United Kingdom | 5 | ![]() | |
Citizen Kane | 1941 | Orson Welles | United States | 5 | ![]() | |
Céline and Julie Go Boating | 1974 | Jacques Rivette | France | 1 | ![]() | |
Brief Encounter | 1945 | David Lean | United Kingdom | 5 | ![]() | |
Blood Simple | 1984 | Joel Coen | United States | 5 | ![]() | |
Be Kind Rewind | 2008 | Michel Gondry | United States | 1 | ![]() | |
Summer Hours | 2008 | Olivier Assayas | France | 5 | great film! assayas with even more subtlety | ![]() |
Categorised in: Film
This post was written by rado